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Jazz Ear Training
Real piano and guitar tones, nine practice modes, and a mic that scores what you sing. Free, no signup.
How to use it
Train your ear in three steps.
Press play
You hear a note or an interval from a real recorded instrument — never a sine beep, because the bandstand isn't one.
Sing it back
Hold the pitch within ±20 cents for 800 ms to pass. Singing routes the sound through your body instead of your shape memory.
Find it on the neck
Then locate it on one string. The app raises the difficulty as your streak grows.
Nine modes, real recorded piano and guitar, and a microphone that scores what you sing. Built on the University of Chicago perceptual-learning method — the one that actually moved adult ears in a controlled study.
Why this doesn't use sine beeps
Almost every ear trainer on the internet plays you a pure tone. Nothing on a bandstand is a pure tone. A sine wave has no overtones, which means it gives your ear nothing to grab — you end up training a skill that works in the app and evaporates the moment a piano player hits a chord.
These are real recorded samples: an overtone-rich piano and a real guitar, alternating deliberately so you cannot cheat by memorising one timbre. If you learn to name a note from a Salamander piano sample, you have learned something that survives contact with a real instrument.
Sing what you play — with a pass mark
The mic mode is the part most people skip and it is the part that works. Hear the interval, sing it before you touch the guitar, then find it on the fretboard. Singing forces the sound through your own body instead of letting your hands find it by shape memory.
The pass mark is measurable, not vibes: hold the pitch within ±20 cents for 800 ms. Start with diatonic 3rds and 7ths — the guide tones — because those are the notes that actually tell you what chord you are on.
The sets that matter for improvising
Guide tones in all twelve. The app plays a ii–V–I; you sing 3–7–3. Then find those same notes on a single string, so you are hearing intervals rather than grabbing shapes.
Secondary dominants. Hear a V/V resolve — A7 into D7 in the key of G — and learn to tag the ♭9 or ♯9 colour by ear before you name it on paper.
Lydian dominant. Recognise the ♯11 over a V7 by hearing the E major triad sitting on top of a C7. Once you can hear that, you can use it.
The interval cheat sheet — famous song references
Sing the song fragment, land the note on your guitar, then test it against the tool's real-tone playback. If you can sing it, you can play it.
| Interval | Ascending | Descending |
|---|---|---|
| Minor 2nd | Jaws | Für Elise |
| Major 2nd | Happy Birthday | Three Blind Mice |
| Minor 3rd | Greensleeves | Hey Jude |
| Major 3rd | When the Saints | Swing Low, Sweet Chariot |
| Perfect 4th | Here Comes the Bride | George of the Jungle |
| Tritone | Maria (West Side Story) | YYZ |
| Perfect 5th | Star Wars theme | Flintstones theme |
| Minor 6th | The Entertainer | Love Story |
| Major 6th | My Bonnie Lies Over the Ocean | Nobody Knows the Trouble I've Seen |
| Minor 7th | Somewhere (West Side Story) | Watermelon Man |
| Major 7th | Take On Me | I Love You (Cole Porter) |
| Octave | Somewhere Over the Rainbow | Willow Weep for Me |
Common questions
How long does it take to develop relative pitch?
Weeks to start feeling changes, months for real confidence. Ten honest minutes a day beats the marathon app session you'll quit by Thursday.
Can anyone learn perfect pitch?
As an adult, mostly no — and it doesn't matter. Chase functional pitch instead: hearing 3rds, 7ths and bass motion. That's what wins on a bandstand, and it's fully learnable.
Why can't I hear chord progressions?
You're listening to the top when the information is on the bottom. Sing the bass line first, then hear the 3rds and 7ths against it — the progression falls open.
How do I transcribe solos by ear?
Loop one or two bars. Sing it until it's yours, then find it on the guitar. Get the rhythm first, pitches second — phrasing is the part worth stealing.
Does singing actually help ear training?
It's the whole game. The voice is the shortest path between your ear and your hands — that's why this tool scores what you sing, not what you click.
Keep going
You can hear it. Now play it.
The whole point of ear training is the moment a sound in your head comes out of the guitar. 5 Days From Theory to Tune is exactly that bridge: one heard fragment a day — sung, then found on the fretboard by ear — until soloing stops being theory.
5 days · 20 mins a day · $17 one-time · 14-day refund
See the 5-Day Theory-to-Tune PathSteal five licks that always work.
A free 14-page PDF with TABs and five backing tracks — five licks that sit right over any blues or rock progression. Real teaching from my own desk, not filler.
Send the free PDF to my inboxI’ll email you the cheat sheet and occasional practice tips — unsubscribe anytime.
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